It’s been a really busy week because I am preparing for this workshop on Saturday at the MERL, and because I have been shipping books! If you pre-ordered my new book(s) earlier this month, then your order shipped this week.
There are a couple of stages to posting out your books. Mark helped me last weekend with stickering books with download codes…
…and then my parents came to help with The Grand Pre-order Packing.
It’s amazing how much can be accomplished with a couple of extra pairs of hands, some good cheer, and the joy my Bam and Pops bring. We had a very jolly time involving an amazing curry, a massive roast chicken lunch, a late-night packing session and a wondrous numbered boxing system organised with unwavering enthusiasm by my Dad. Bam was the key CUSTOMS-LABEL COMPLETER (technical job description), book-stickerer, and nurturing voice of encouragement. Pops was the box rationaliser, and the main tea and refreshments overseer. He made about eight pots of tea, causing me to mentally rename the day of their visit as TEASDAY.
They both helped immeasurably, and I felt quite humble after they left realising that it doesn’t matter how old and independent I get… sometimes I just need my parents.
Thank you, wondrous Bam & Pops!
I had a rubber stamp made up so that those of you who requested a signature in your books could have one. I can still do most things with my hands but all tasks are slow and most of them are painful – especially writing old-school style with a pen. Thank you for your understanding and I hope my ingenious workaround will suffice. I wish I could use it on the customs labels too but I fear inspecting mail officials have no use for “best wishes” or “happy knitting”. However, if you are a customs label inspector and you are reading this, I would appreciate a steer on whether rubber stamps are allowed in lieu of a signature for disabled senders of mail.
The highlight of all the posting, stickering and stamping is seeing the books arriving with you. I’m loving spotting glimpses of them on social media when they land. It feels like I’ve been waiting for ages to share this book with the world and it’s really joyous to see it getting out there and appearing in your laps and on your knitting bookshelves… Thanks so much for posting the pictures.
As I’ve been packing up the orders, I confess I have been really enjoying how the Stranded Colourwork Playbook and the Playbook Colouring Companion look next to one another and also how they look next to my first book, the KNITSONIK Stranded Colourwork Sourcebook.
Nic and I spoke a lot about how to get the feeling of a sequel, and also how to show the relationship between the Playbook and its Colouring Companion and I think Nic’s triangular grid design is genius. Nic has a real gift for giving form and coherence to the ideas of different knitwear designers. Every time we work together I’m blown away by her intuitive feeling for layout and design. Thank you amazing Nic for making the books look so lovely and for being so turbo talented.
I’ve also been feeling thankful for my hands, slow and sore as they are, and for Angela’s Nails in Reading.
A shellac manicure with holographic powder and top-coat will do nothing to physically assist with psoriatic arthritis, but EVERYTHING for morale: fingernails of rainbows really help with packing parcels!
In final book-related news, I’m planning a small launch party on April 20th from 6-8pm in Reading… further details to be announced, but if you’re local and would like to eat fruitcake, play with samples and get your book, urm, STAMPED, please save the date.
I’m home from another magnificent edition of the Edinburgh Yarn Festival and am just blown away. This was a tremendous year in terms of MAXIMUM JOY FACTOR, seeing lots of my favourite people, and getting to enjoy a truly inspiring marketplace emporium. I loved the capacious marquee; the giant, well-spaced out seating area in the podcast lounge; and the beautifully curated Ysolda Wing. The slightly more spread out programming also helped regulate the intensity of the event and made it possible to be there every day and for it to never feel too much. All these elements of space and time at EYF are meticulously planned and are the product of Jo and Mica’s hard work and organisational brilliance: I take my woolly hat off to them both. They are building this festival in a truly wondrous way; it is loads of fun to attend and I always love teaching here. Thanks for having me along and for making KNITSONIK so welcome!
This year was different for me from previous years because of the massive psoriatic arthritis flare-up in which I currently find myself. My hands and especially my thumbs are badly affected and, emboldened by my friends on instagram, I decided to get a proper manicure ahead of coming so that 1. looking at my hands would cheer me up even when they were super painful and 2. I wouldn’t feel self conscious when teaching and pointing to people’s swatches or drawing in their notebooks (I am very naughty and forever doing messy drawings in other people’s notebooks to show what I mean…). I went for an amazing golden-cream gel manicure with a holographic powder on top. My idea was to go for something that would look sort of golden and cream on first glance, but which would tone with anything next to it. I can confirm that for every hurty thumbs moment experienced at the EYF, there were moments of mitigating joy and unapologetically smug feelings of THIS REALLY DOES GO WITH EVERYTHING. Hurrah for self-care and especially when it involves colours that make us feel happy!
Top of my highlights from this festival were two full days of teaching Quotidian Colourwork and Colours of Edinburgh workshops at The Risk Factory. Many items of personal significance were brilliantly translated into stranded colourwork and folk also produced many wonderful and unique interpretations of Arthur’s Seat. I truly love teaching my classes, and seeing unique ideas coming to life on the needles of the people who attend. Check out the galleries to see some of the amazing work!
Colours of Edinburgh sees moss, rock, stone, sky, cityscape and flora transformed into delicate lines, patterns and palettes…
Quotidian Colourwork celebrates people’s inspirations, from holiday photos to special tins, to paintings and favourite places…
THANK YOU TO ALL THE AMAZING COMRADES WHO CAME TO THESE CLASSES. I have really enjoyed seeing some of the swatches completed since – both in person and on instagram. I always love to see what becomes of work begun in my workshops so if you’ve still got a swatch on the needles, please let me know what it becomes.
On Friday, I met Claire of the New Hampshire Knits podcast and we had a lively interview including much talk of celebrating the everyday in knitting (KNIT) and sound (SONIK). We have been trying to meet up for a few years now and it was great that it finally happened.
Friday was also my friend Kate’s magnificent talk, in which she spoke about creativity and limitation. She read from a chapter in her forthcoming book – Handywoman – describing her glorious handmade childhood and the mood of invention and creativity that enabled her parents to thrive even when money was tight, and even as Thatcher was destroying the industrial North where Kate grew up. In the second part of her talk, Kate correlated this sense of working within limitation to having a stroke at the age of 36 and being compelled to make, for herself, new frameworks within which to knit, walk and create. Much of the content of this talk resonated very deeply with me and I found it very moving. Though mine is a very different sort of disability, I share Kate’s sense of working within a limited framework; of finding certain designs for daily use either humanising or disabling; of needing to prioritise self-care and – perhaps most importantly of all – of needing to create and amplify my own narrative. Stories of disability are often focused on “overcoming” and “not being defined” by disability – or on “miracle cures” or fixing things with diet (sigh) but I have always found these dominant narratives oppressive because of their damaging flipside, which is the implication that not overcoming, not triumphing, and feeling severely limited by disability – and failing to be miraculously cured through diets etc. – mean that one is failing at being disabled. I have much more to say on this subject but for this post let’s just say it thrilled me to the bottom of my heart to hear Kate talking about her experiences in life-affirming ways that avoided these painful cliches and which centred, instead, on her lived-experience following serious brain injury. At the end of her talk, Kate specifically said “I am not someone who has triumphed over disability” – a phrase so liberating and true to hear that it made me cry. I have no photos from this talk but it will stay with me for a long time and I cannot wait for Kate’s book: it’s going to be amazing.
I had to take a methotrexate injection on Friday which often leaves me feeling not quite right the next day. I decided the comforting joy of my Dandelion Efflorescent shawl was required for Saturday’s EYF adventures.
Efflorescent (which means “in the process of blossoming”) is one of the designs from my forthcoming book, and the sample was knit by my immensely talented friend Tom. Dandelions hold a special significance for me because when I was only able to walk at a very slow pace in my early 20s, I decided to creatively reimagine my arthritis-impeded body as being timed to a Dandelion clock. This was/is much more fun than saying “I am slow because my feet hurt” and many years ago I made a special walking-stick cover out of felt and created many field recordings to commemorate the lilting and unpredictable pace of my sore-footed steps. The Dandelion also represents precisely the sort of undercelebrated and unloved context that excites my KNITSONIK heart the most – TARMAC! BRICKS! WEEDS! – and green is one of my favourite colours to wear. I can confirm that if you are feeling wonky at the yarn festival, you NEED a giant shawl of flowers. The shawl won a special ribbon at the Stephen & Penelope booth, and every single person who came up and said “I love your shawl” helped to lift my methocarnage (methotrexate/carnage) mood. Best of all, I fancied I could feel the joy and mischief of my dear friend Tom in all the lovely stitches. THANK YOU, TOM!
A high point on my Saturday was meeting Gemma Dudley on her Little Grey Girl stand and being able to thank her in person for co-creating Tarmac Tuesdays several years ago at EYF along with Corrie Berry. Here are Gemma and myself in 2015, pictured with the tarmac photos that Gemma won following my talk/clownshow about my first book…
…and here we are now, on the cusp of the publication of my second.
Writing about Tarmac Tuesdays for one of the patterns in my forthcoming book was one of the most enjoyable parts… I will say more about this in coming days, but for now let’s just say I was thrilled to be able to give Gemma a thank you hug in person; I’m sending one to Corrie, too! THANK YOU FOR INVENTING TARMAC TUESDAYS – THEY ARE THE BEST.
On Sunday I was in the marquee at the Meet The Shepherdess event, along with all my samples for the KNITSONIK Stranded Colourwork Playbook + the Colouring Companion. It was really a massive treat to be able to have this little display up, and to be able to hang out there from 10 – 2 meeting comrades, talking about stranded colourwork, and catching up with friends from classes held at EYF in previous years, or at Shetland Wool Week. Also nice to be able to share the Tarmac Tuesdays bunting, and to reflect on its origins in the Edinburgh Yarn Festival itself. My corner looked very festive and I must make a big shout out to Mica’s sister, who helped me out with buying emergency safety pins and also using them, as arthritic thumbs + safety pins really don’t work well together! Look how much fun was had at the KNITSONIK marquee corner…
…loved meeting Mary Jo Bayliss, a sculptor with a knitted project/commission in mind; we talked about the places where Fair Isle knitting and Hip-Hop intersect as art-forms for making something magnificent out of nothing. She gave me one of these stickers and I am looking forward to seeing her knitting sculpture come to life as she works on it this year…
…I was blown away by how quickly this lady had worked up one of the new Shetland Wool Week hats. The pattern – Merrie Dancers Toorie – was unleashed this weekend at EYF, and is by this year’s patron, Elizabeth Johnston. Isn’t this version fantastic? Churned out on Saturday during the Rugby!
SVM came to show me her completed Colours of Edinburgh swatch (based on a triangle of gorse peeping out of the rocks under a bright blue sky) and we enjoyed seeing how nicely it played with the glorious swatches of my friends Muriel and Yumi (which were on show during the trunk show, as there is a chapter on Knitted Correspondence in the forthcoming book)…
I was teaching in Amsterdam back in December and was sorry that my friend Yvonne couldn’t make it. I remember her swatch in last year’s Colours of Edinburgh class at EYF and her warm, encouraging words about KNITSONIK. It was great to see her and Daphne at the trunk show as you can see by our beaming grins.
The little bits of light on the moss in Yvonne’s swatch from last year…
…Daphne, me and Yvonne this year!…
…Also loved seeing my friend Jeni again and learning that the little round parts on this bunting flag that she knit for our Wedding represent THE NOSES OF SEALS…
…it was also tremendous to see Kirsten again, whom I first met on the train to EYF a few years ago. We were both admonished then for whisper-talking too loudly in the Quiet Carriage (naughty) but luckily being noisy and bouncy was completely allowed at Meet The Shepherdess so we did not get told off this time.
Finally, it was amazing to see Sonya and Tom, who were both wearing beautiful clothes they had made themselves, accessorised with mischievous smiles. There were so many friends I saw on this trip whom I failed to photograph but I hope you all know who are you and that I loved seeing you and being at EYF together. THANK YOU ALL for making it such a wonderful festival x
I have been quietly beavering away here for the past few months on several projects and, following a quiet spell on the KNITSONIK blog, now have so much to say, I’m not quite sure where to start. The most important news item is that the KNITSONIK Stranded Colourwork Playbook and its twin – the KNITSONIK Playbook Colouring Companion – are now available to pre-order. Orders placed now will be processed by the end of March 2018. I’m really proud of these books and it has been hard to keep them under wraps for the last few months, so expect an explosion of stranded colourwork and coloured-in drawings on my social media channels in coming days.
The KNITSONIK Stranded Colourwork Playbook
This second book is very much a sequel to my first book, the KNITSONIK Stranded Colourwork Sourcebook, and some of the themes may seem familiar. Like its predecessor, it is all about celebrating everyday life in stranded colourwork. The projects inside continue to speak to some of my favourite and long-standing quotidian obsessions like bricks, roads, weeds and flowers…
…however, where the first book was all about swatching to develop your own palettes, patterns and motifs, this second book is all about filling up your life with stranded colourwork to use, to share, and – of course – to wear.
I wanted this second book to continue in a similar vein to the first – to celebrate creative process and to get you playing with palettes, patterns and shading schemes that hold significant personal meaning. Additionally, having taught many KNITSONIK workshops in the years since my Sourcebook was published, I wanted the designs in this book to speak to some of the recurring questions that arise in my classes. Finally, The KNITSONIK System has been adopted and enhanced by the amazing community of knitters who use it and I wanted this book to shine a light on some of the work that has grown out of this rich, collective context.
The result is a book of projects that includes patterns by me and my friends. The collection spans a broad range of inspiring themes, practical issues and approaches for working with stranded colourwork. Each design is presented with beautiful photos, drawings and notes that enable you to customise it to reflect the things and places that matter to you.
In the book you’ll learn how to draft your own International knitted correspondence with my amazingly talented friends, Muriel Pensivy (France) and Yumi Shimada (Japan)…
…how to produce stranded colourwork bunting with your knit-buddies with my friends Liz Ashdowne (who wrote the KNITSONIK pattern for our wedding)…
…and Deborah Gray (who was at the first ever KNITSONIK workshop and who’ll show you how to work flags two-at-a-time in her beautiful Willow Pattern china inspired design)…
…you’ll also meet many other friends from the online KNITSONIK community who participate in #TarmacTuesdays…
…and discover how to turn the textures of your town into a cowl with an easily customisable and minimalist design…
…the book also explores scale and proportion when working with motifs, in a series of differently-sized device cosies developed with the help and input of my friends Judith Daykin and Melanie Patton…
…and in the final chapter, you’ll find out how to produce a stunning shawl based on your favourite flower. For this last project I’m joined by my friend Judith Daykin, and we speak about adapting palettes and patterns to suit your individual style and flavour. My friend Tom van Deijnen also helped with this last chapter, knitting an enormous sample that celebrates Dandelions. There are a lot of technical WhatsApp conversations threaded through those rings of colour and we discovered, while trying to style them, that they encourage you to throw many foolish shapes, including the being butterflies pose and the look, I’m peeping at you from inside my shawl pose.
The KNITSONIK Playbook Colouring Companion
Working on the Playbook, I thought very carefully about what kinds of tools I could provide to sit beside the main book and support the customisation of the designs. Those of you who have come to my workshops will know I am not a fan of spending many hours carefully plotting out hyper-detailed coloured charts on squared paper, prior to knitting: just casting on and swatching away seems almost as speedy to me! But, if you know the design you wish to knit and merely want to play with colours and shading schemes before you buy any yarn, wouldn’t a drawing of the motif that resembles the shapes of knitted stitches be useful? Why yes I think it would!
And wouldn’t it be nice to be able to briefly get an impression of how your overall design might look once knitted, through the use of a nice schematic?
The Playbook Colouring Companion contains simplified versions of all the motifs and schematics from the main book for you to colour-in before you start to knit.
I thoroughly enjoyed colouring in pages to feature on the front cover of the book and I think that you will too!
If you follow me on instagram, you’ll know that this last year has been tough for me, healthwise. The psoriatic arthritis I’ve had since I was 19 has re-inflamed itself to the max, impacting my ability to work, my schedule, and my wellbeing. Developing these books in that context has been an immense source of joy and uplift. I feel immensely grateful for the atmosphere of love and support within which I have been able to create them, and my whole team of collaborators has been AMAZING. Therefore I’d like to say a massive shout out to Nic Blackmore – designer extraordinaire and peerless book doula; Fergus Ford – my photographer and little brother, who brings some special sibling magic to the images; Kate Davies – editor of dreams and voice of encouragement; Rachel Atkinson – my careful and enabling tech-editor; Cecilia Hewett – the queen of grammar, proofreading and correct comma-usage; and Mark Stanley for all the many ways in which he has lifted up this work. Also, shout out to the massively talented knitters – Deborah Gray, Judith Daykin, Liz Ashdowne, Melanie Patton, Muriel Pensivy, Tom van Deijnen and Yumi Shimada – whose labours have hugely reduced pressure on my hands whilst knitting the designs. Enormous thanks also to Jamieson & Smith for providing the magnificent material basis for all my work. Your Shetland 2-ply Jumper Weight is the best, it is the sunshine on every rainy day. The reason I can remember so many of the colour numbers is that I HEART THEM SO!
Finally – and well done for making it this far in this monster blog post! – I’d like to say enormous thanks to you. As I hope this post shows, my KNITSONIK ideas are not developed in a cultural vacuum, but in a rich, collective context. Big thanks to all the comrades who bring questions, ideas and creativity to my workshops and who join in with my games on instagram. I hope this book returns some of the immense joy given me by this wonderful, creative community and – best of all – that it provides more opportunities for us to PLAY!
If you are coming to the EYF, you will be able to see all the knitted samples from the KNITSONIK Stranded Colourwork Playbook on Sunday at Meet The Shepherd/ess. I will also have some of the original drawings from the colouring book to show you, and all the swatches developed in the process of working on the book. Tickets for Meet The Shepherd/ess are still available here.
I’ll also bring the swatches developed in the production of the book to all my workshops and am very excited for more rounds of Quotidian Colourwork and Colours of Edinburgh! Those of you coming to my classes my like to see these posts for an idea of what to expect: Quotidian Colourwork, Colours of Edinburgh.
I will not have any copies of the book at the festival for sale – unfortunately the timings just haven’t worked out – so the quickest way to get the book is to pre-order it through my website here!
YOURS IN FURTHER SELF-PUBLISHING ADVENTURES AND KNITTING ALL THE THINGS IN STRANDED COLOURWORK, Fx
I didn’t mean to disappear from the KNITSONIK blog for two months but I have been hard at work on the KNITSONIK Stranded Colourwork Playbook!
It has been like old times working with Nic in our virtual office and pinging files and proofs and PDFs back and forth. We are over the hump and I am really excited to begin revealing what we’ve been up to in coming weeks. The Playbook is very much a sequel to the Sourcebook and the focus on creativity, interpretation and celebrating the everyday continues with a selection of projects, each of which is presented with enriching extra content so you can make them all your own. The best way to make sure you don’t miss publication info is to sign up to the dedicated newsletter here but here are some pictures of the work and projects in progress…
Themes from the first book have continued in this second one but are presented in new ways and with new ideas so that there are lots of opportunities to get deeper into the KNITSONIK system and to find more ways of celebrating daily life in stranded colourwork.
As you can see from the shots above, my brother Ferg has brought his wondrous feeling for light and colour to this book as he did with the first. He also brought a helper in the form of George seen here climbing inside the soft-box. (What is the point of a photo shoot of knitting with no cat?)
I had a question in the KNITSONIK Ravelry forum about whether or not to get the Sourcebook or wait for the Playbook if you are new to my work; the Playbook is going to continue ideas from the first book, but if you want the full KNITSONIK Systemthe Sourcebook is still the one you need.
If you want to order over the festive season, please be aware that I am away this weekend teaching in Amsterdam. I will post all orders on my return on 19th December. UK orders should reach you in time for Christmas, but if you’re ordering from further afield, check with my lovely stockists to see whether anyone can ship more expediently.
Here are the National and International dates as listed on the Royal Mail website; UK Service Wed 20 Dec
International Standard Belgium, France, Ireland, Luxembourg Sat 16 Dec
I’m very excited about teaching in the Netherlands this weekend and am looking forward to seeing some of you in the palace of dreams that is Stephen & Penelope. Amsterdam is one of my favourite places especially at this time of year when the light is all low and glinty. The shapes and colours of the windows and the crooked old houses are beautiful and of course I found lots of bricks to love last time I was there in winter.
I can’t wait to see what those of you coming to Colours of Amsterdam will knit from these elements of the city. I also can’t wait to see what those of you coming to Quotidian Colourwork will bring as your inspiration source… for those of you who can’t make it, please join in vicariously by singing along with this magnificent video from Stephen West (the Stephen in Stephen & Penelope) whose enthusiasm for colour and for knitting bring essential light and joy in these dark winter days:
YOURS IN EVERYDAY INSPIRATIONS AND IN ALL THE COLOURS, XF
There has been a lot of charting and knitting to do this year for Book No. 2. However, although I have been staunchly committed to using All Available Knitting Time for working my own patterns, I confess that the joyous prospect of working a Bousta Beanie for Shetland Wool Week proved irresistible so I bunked off swatching for a few days and boy am I glad I did.
I’ve been a fan of Gudrun’s lovely work ever since knitting her Simmer Dim restored my mojo in 2011. Like Simmer Dim (and many other designs by Gudrun) Bousta Beanie is effortless and pleasurable to knit; sophisticated without being overly complex; and a refreshing, contemporary update to the knitting heritage of Shetland on which she draws. I love how the zigzagging motif draws its inspiration from Bousta in Sandness, Shetland, yet is abstract enough for knitters to adapt to their own contexts and favourite colours. The pattern is simple and easily memorised for first-time Fair Isle knitters; doesn’t demand ten million yarn shades; and is offered in enough colourways to give knitters many options but also the inspiration to innovate. I saw many, many Bousta Beanies in Shetland during Wool Week and it was really exciting to see how Woolweekers had enthusiastically embraced the official hat pattern on their own terms.
At the eleventh hour, packing my suitcase, I looked at the copy of the pattern I’d picked up from the Shetland Wool Week stand at the Edinburgh Yarn Festival and felt a pang of longing to make my own version. In true KNITSONIK style, my Bousta Beanie is totally informed by an appreciation for the everyday and mundane details of my town here in Reading.
You see, looking for patterns everywhere and in everything has the unexpected side effect of meaning that I end up – in reverse – sometimes finding objects from daily life in knitting patterns. When I returned from Edinburgh Yarn Festival in the spring, I spotted a manhole cover with a repeating surface design most reminiscent of Gudrun’s motif.
It’s pretty hard to capture the saturated metallic tones of a manhole cover… my phone camera can’t really cope and tends to wash out the hues in lovely rusted metal and document a dull impression of flat greyness. However, I know from looking at manhole covers that their weathered surfaces contain petrol shades; warm complex purples; browns; and many other rich hues. I have bumped up the contrast and saturation in my phone photos of manhole covers to try and foreground the shades that I can see.
With rich purples, browns and creams in mind, I organised a palette for my manhole-cover inspired Bousta Beanie. I used five shades in my colour scheme. In the background I used FC44 (a spicy sort of brown with hot yellow heathered through); FC58 (a complex and mercurial heavily heathered blue/brown/purple/gold shade); FC14 (a complex deep tealy-blue purple). For the pattern, I used FC17 (like a pale chicken egg) and a now discontinued J&S shade that is the colour of a strong milky coffee. I shoved part-balls of all these shades into a bag along with needles and the pattern and cast the hat on during the long ferry ride from Aberdeen to Lerwick.
I was a bit sad knowing that my hat would never be ready to wear to the opening ceremony, but working on my Bousta Beanie during Wool Week turned out to be very cheering. Knitting my hat offered a lovely holiday from working on my own designs (a pattern! by someone else! fun and quick! a chance to use a discontinued J&S yarn shade!) and my work-in-progress was a sweet companion throughout my time in Lerwick.
After teaching the last of my classes, I had that slight feeling of the day after Christmas. Feeling a bit flat I walked back to where I was staying. It was a grey day and my suitcase of swatches and class supplies had an annoying broken wheel that slowed my pace. However, the sad slope home was improved immeasurably by pausing to document the manhole covers of Lerwick as I went. I even found one with a sort of Bousta Beanie crown-shaping design.
A much needed early night was comforted by cranking on the hat in my Airbnb in front of 50 Tips from Shetland Knitters by Hazel Tindall and Elizabeth Johnston and I got pretty overexcited about my brown rusty metal shading scheme and raved about it to anyone who would listen. I finished working on it several days ago after which it got a good soak and a turn on my vintage hat blocker. This transformed the hat into a slouchy beanie shape. My wonderful husband Mark (who is my number 1 comrade in photographing mundane details of Reading) then helped me to document the hat together with its urban inspiration source.
Thanks for the lovely photos, Mark! And thank you Gudrun for writing such a wonderful pattern that so many knitters have enjoyed. I hope you don’t mind that I messed with your well thought out colour scheme and options, but know that every time I pass a manhole cover bearing what I now think of as YOUR motif, I shall think of you with a giant smile and not a small dose of mischief.
YOURS IN MANHOLE COVERS AS INSPIRATION AND FINDING STRANDED COLOURWORK IN THE EVERYDAY DETAILS OF LIFE, FX
…in my KNITSONIK classes during Shetland Wool Week.
One of my favourite things is teaching the KNITSONIK System to comrades excited about translating their world into their own unique palettes, patterns and shading schemes. This year I offered three different types of class during Shetland Wool Week, each of which was a variation on this central theme.
About my classes
In Quotidian Colourwork comrades choose an inspiration source that matters to them and then bring it to the class. I provide a vast array of yarn shades from which each knitter draws a palette based on whatever they brought with them.
Class time is spent developing motifs and shading schemes from individual inspiration sources and talking about problems and solutions viz translating the everyday world into stranded colourwork. Everyone leaves the class with the beginnings of a swatch documenting their thought process thus far; with clear, printed instructions; and with small quantities of yarn for finishing work in their own time. With this class, I especially love seeing the individual things that knitters bring along. Here is a very small subsection of some of the amazing things people made in Quotidian Colourwork classes this year at Shetland Wool Week!
Elaine’s Canadian Tundra
Kareen’s water lillies
Shelley’s view of Victoria Port, Lerwick
Annette’s botanical drawing swatch
Chris’s Blue-footed boobie
Jan’s bright flowers
Catherine’s Australian desert pea flowers
Rosie’s Iceland campervan trip
Shetland Colours is a variation on Quotidian Colourwork. Instead of bringing along an individual inspiration source, we all work together from the same source. I document the inspiration ahead of the class, print out many photos, and pre-select a tailored yarn palette.
Again, class time is spent developing motifs and shading schemes and everyone leaves with the beginnings of a swatch and everything they need to finish it in their own time. What’s particularly special about this class is seeing the unique ways in which a roomful of knitters interpret, celebrate a shared inspiration source. You really get to see how individually everyone views and perceives the world. I also like that this class has a kind of collective feeling and can often bring some of our focus to the present context of the class… like, when we’re in Shetland for Wool Week, it’s really nice to celebrate the beautiful sunsets and distinctive light around the islands; and to turn our knitterly eyes towards the greys and blues of Hermaness in Unst. These photos offer a glimpse of some of the knitterly translations of sunsets and cliffs worked by knitters this year in Shetland at my Shetland Colours classes this year.
islets, water, sky
rippling blues and pinks on water
land meeting water shapes
vapour trails and clouds
sunset swatch destined to become a wristwarmer
Astridur’s graphic rocky point
ocean, birds, rocks, grass
grass, stone and sea
Cheryl-Lynn’s stone and grass shapes
I especially enjoy seeing how two different knitters will uniquely translate the same inspiration source… how beautiful are these contrasting views of water seen through rocks? Maja has concentrated on the warm tones within the rocks whereas Lene has been looking at the gradations of blue… and how the scale of a motif changes our perceptions of the shades with which it is knit.
The J&S Mittsalong class was developed exclusively as a class for J&S this year because I have now run quite a few #knitsonikmittsalong online kals (knit-a-longs) and thought it would be fun to do a class from the same premise.
The Mittsalong classes this year for Wool Week used the same inspiration sources as my Shetland Colours classes, but we had an even more restricted palette from which to work, because everyone took 8 balls away with them with which to finish making their mitts. If we used more than 8 yarn shades, the cost of the class would have gotten out of hand! As with the other classes, the focus in the workshop is on developing motifs and shading schemes from individual inspiration sources and talking about problems and solutions re: translating the everyday world into stranded colourwork. However, unlike the other classes, the outcome at the end of this workshop is not a swatch but the beginnings of a pair of mitts, the colourwork portion of which is full of stranded colourwork experimentation! A swatch you can wear, if you will. It’s a nice way of addressing the fact that not all knitters like to swatch, and making sure that even when you are playing and experimenting, you end up with something useful and wearable at the end. The discipline of working within a much more restricted palette also has a lovely real-life knitterly practicality about it as well, and I hope that this class gives knitters who don’t want to buy ten million balls of yarn the confidence to develop beautiful ideas within a limited palette. Here are the beginnings of some Shetland inspired mitts begun in Shetland during Wool Week!
spotty gannets on grey rocks
Joanna’s lighthouse window and door frames
lighthouse and blue sea
white crested waves
blue and gold sunset transitions
For all KNITSONIK classes I bring my growing swatch collection as I have found my swatches to be invaluable tools to have on hand. They are a living library of ideas about palettes, patterns and shadings and every time I teach I am grateful to them! This year ahead of Wool Week I washed, blocked and ironed all the KNITSONIK swatches and packed them neatly with a tea-towel infused with cedar essential oil and little fabric pouches containing lavender. It was beautiful to lay these clean, fragrant, hardworking pieces of knitting out at the start of each class and also to share some of the swatches from the new book. I love swatching for its own sake – a topic that came up frequently in my classes – but at the same time, it is always amazing to see designs growing out of swatches begun in my classes, and to see knitters wearing or making things to wear that began life in a KNITSONIK workshop. Keen eyed spotters and long-term readers might remember Lene’s beautiful fern swatch, started in a KNITSONIK workshop in Edinburgh back in the spring? Now it’s becoming the yoke of one of her distinctive floral cardigan designs.
I was also made up to get an update on a swatch begun in a Shetland Colours class… Linda did not like the “wave” shape she had designed and kept working into her swatch until she was happy with the results. It is always joyful to see how comrades solve problems in stranded colourwork.
Christine finished one of her mittsalong mitts and brought them along to show me and I was made up to see her friend wearing a swatch begun in my Shetland Colours class as a fringed arm-warmer.
Since returning home I have really loved seeing the completion of Christine’s mitts on instagram. They are a beautiful testimony to her love of birds and coastal landscapes and I especially like the clever detail of the waves breaking around the ribbing! I’ve also been blown away by Kristi’s hat, for which a holiday photo provided the palette inspiration.
All of this is very topical as the joy of swatching and ways to develop concepts sourced through swatching into things that you can wear are key elements of the second KNITSONIK book. The second book also builds very much out of questions and issues that have arisen in my workshops over the years.
As I get into the writing I’ll be thinking of these classes I taught in Shetland… of the questions you all asked; of the beautiful things you made; of our conversations; and of your knitting. Thanks for giving me so much to work with, for your willingness to play and experiment, and for bringing your unique ways of seeing and knitting to KNITSONIK classes. I learn so much every time I teach a workshop, and it’s really one of my very favourite things to do.
Thank you to everyone who came, and to Shetland Wool Week for having me. If you have enjoyed this post, you may be interested to learn that I’m teaching more workshops at the following places in coming months:
I thought this year’s event was particularly good and I had a truly amazing time. Today I want to reflect a bit on what makes Wool Week so special; every year I return invigorated, inspired and humbled by being in this beautiful place surrounded by so many wonderful people and I thought that those of you unable to attend would appreciate reading about it and seeing some pictures.
The success and popularity of Shetland Wool Week come down to exceptional people organising the event; a close-knit community with wool and knitting embedded deeply throughout; a loyal global fanbase for Shetland Wool and Shetland Knitting Traditions; and a focus on developing the Shetland Wool Week programme in ways that ensure that the benefits and exposure of Wool Week are felt throughout the Islands. Inclusive, culturally enriching, people-focused and life-affirming, Shetland Wool Week is a true community effort, the beating heart of which is a superbly talented and hard-working team. Thank you Misa, Emma, Carol and Victoria for all the work you do each year to make Wool Week amazing… and to all the other Shetland businesses and wool workers whose labour makes this event so wondrous (I’m looking at you particularly, Woolbroker buddies).
Wool Week has grown from strength to strength since it started eight years ago, and is more widely attended each year. There are people who return annually, but I saw many new faces this year too. Comrades come from all over the world to experience the rich programme of classes, exhibitions and events and there really is something for everyone.
One of the most successful traditions that has emerged out of the festival is the Wool Week hat – a trend started by Hazel Tindall in 2014, with her iconic Shwook design.
The premise is superb: the Wool Week patron for the year designs a hat. For the last couple of years this special design has launched at the Edinburgh Yarn Festival giving several months’ time for Shetland Wool Week buddies to make up the pattern. Many knitters go to Shetland wearing their hats, where they create a rich sense of knitterly camaraderie and collectivism amongst their wearers. For knitters unable to attend, knitting the official hat produces a feeling of vicarious participation.
I have knit all the designs so far – Shwook by Hazel Tindall (2014); Baa-ble hat by Donna Smith (2015); Crofthoose hat by Ella Gordon (2016) – and on the ferry to Shetland, I finally cast on my 2017 Bousta Beanie by Gudrun Johnston (it’s blocking as I type). The Bousta Beanie is brilliantly simple and addictive and I can see why many folks have knitted more than one.
The motif is suitable for anyone new to the technique of using two colours at a time and the palette is infinitely customisable. You can use the three shades called for in the pattern, or expand on the palette to use more shades. You can even incorporate the motif – as this lady did – into your own hybrid hat celebrating several patrons’ designs in a single hat.
The hats have not gone unnoticed by the non-knitters of Lerwick. I had to get some antibiotics while in Shetland and the Doctor I saw commented on how wonderful Wool Week “and the hats” are each year. The lovely friendly folk at the Isleburgh Community Centre where I teach many of my classes said something similar, and my Airbnb hosts also commented on the joyous annual influx of colourful, proudly hatted knitters. The hats make Wool Week visible to the town, and Wool Weekers visible to each other. Through the unique visions of each of the patrons, each hat designed so far has foregrounded an aspect of Shetland’s textile heritage – Fair Isle colour combinations in Hazel’s Shwook; Shetland sheep in Donna’s Baa-ble hat; the history of crofting in Ella’s Crofthoose hat; and the colours of the Shetland landscape (particularly Bousta in Sandness!) in Gudrun’s Bousta Beanie. Hurrah for the hats and everything they represent!
As well as spotting all the hats around town, I love walking down Commercial Street and seeing how local businesses have decorated their shop windows in honour of Wool Week.
Shetland Wool Week attracts tutors and attendees from all over the world, yet maintains an innate and precious sense of place. This balance is down to the team who have a brilliant ability to think both globally and locally. Introducing visitors from outwith Shetland to the all the great things happening on a community level around the isles, they simultaneously find ways to recognise Shetland’s position as an International epicentre of cultural exchange. Last year the renowned Estonian designer Kristi JÃµeste taught and spoke about Estonian knitting and contributed a beautiful Estonian glove design to the Annual and this year, Japanese designer Chihiro Sato launched her gorgeous book Enjoy Fair Isle Knitting at the Shetland Times Bookshop. These are just two examples from a much longer list but to me they demonstrate perfectly how Shetland manages a justified pride in its native textile traditions, whilst also warmly welcoming and embracing outside influences and celebrating the work of comrades (like Chihiro) who have taken those traditions in new directions.
As an outsider myself, Chihiro Sato’s words at the opening of her book really resonate and I’m sure if you are a visitor, they will resonate with you too.
The reason why I keep coming back to Shetland is not only that I love knitting but also that the nature and the people enchant me.
Wool Week is brilliant for highlighting what people in Shetland are doing with wool. On the night of the opening ceremony it was inspiring to hear from Caroline Simpson who runs the Maakin and Yaakin group at Anderson High School. Caroline explained how, throughout the week, young knitters at the school are discovering the joy of knitting in lunchtime breaks and after-school knitting sessions. Several of these comrades visited the Shetland Wool Week hub to knit and meet knitters from outwith Shetland and it was a joy to see what they are making, and to hear Caroline speak about how the Maakin and Yaakin group is popularising knitting amongst Shetland’s teenagers. Knitting was taught as part of a Shetland education up until the funding was cut in 2010. Since then, it is grassroots initiatives like Maakin and Yaakin and the Peerie Makkers that are keeping the craft alive amongst schoolgoers. For those of us like myself who returned to knitting in our twenties, it is beyond inspiring to see the complex and ambitious things being made by Shetland’s young knitters.
Also at the opening ceremony we saw a fantastic fashion show including work by recent graduates of the University of the Highlands and Islands. I failed to take any photos but was thrilled to see how the next generation of textile graduates are taking Shetland’s knitting traditions forward in unique ways. I was especially struck by the poetry of Kirsty Nicolson’s creations which, as this article puts it, incorporate “some thought-provoking political inspiration – among them an armoured knit representing an ‘assertion of power’ for women, and also a cardigan inspired by the coarse Scottish language used in recent protests against Donald Trump”. Drawing inspiration from the gansey (traditionally worn by fishermen), Nicolson had developed a beautiful bomber jacket for women to wear and I think the other garment to which the above quote refers is a cardigan with all kinds of words inscribed inside it. It was fantastic to see handknitting classics being appropriated and developed like this to speak to the current political moment and a privilege to see the work in person.
We also heard some very moving words from Jacqui Clark. Her poems about knitting, dementia and memory feature in the booklet Reflections Apo Hands beside John Coutts’ sensitive photographs of older knitters’ hands. The booklet was produced by Alzheimer Scotland and Shetland For Wirds and was launched at the opening ceremony.
Throughout the week, representatives from Alzheimer Scotland were at the hub, speaking with knitters about the role that knitting can play in the lives of older people living with Dementia and Alzheimer’s disease. It was really good and thought provoking to learn a bit about the real and important ways in which our craft can play a positive role here for people with dementia and their families.
Another highlight of Shetland Wool Week this year was seeing the launch of Donna Smith’s beautiful Langsoond Yarn. Spun from the fleeces of her own and her neighbours’ fleeces, this soft and characterful wool is imbued with the same sense of place and thoughtful beauty as Donna’s distinctive knitwear designs. One of my happiest memories from this year’s Wool Week is of helping to tie tags onto these precious skeins, and feeling lucky to be able to play a tiny role in the living wool industry that is, after all, the very point of Shetland Wool Week. Thanks for having us over, Donna! Such a jolly evening.
A gorgeous portrait of Donna with her yarn features in People Who Touch Wool – a superb exhibition of photographs of Shetland’s wool-workers, taken by photographer Alex Boak. I felt it was inspired to programme this exhibit to coincide with Wool Week. The hub this year was amazing – lamps and sofas and free tea and coffee in a large, well-lit space facilitated endless knitterly meetups and conversations. Every time I popped in it was packed! And because of the exhibition, we were surrounded by images reminding us of the many hands through which our wool has passed on its way to our needles. To me, the presence of Boak’s photos in the hub is emblematic of how Shetland Wool Week always foregrounds and emphasises connections between Shetland’s working landscape and our contemporary craft of knitting. I love the quiet dignity of Boak’s portraits which celebrate wool workers in a way I find reminiscent of Tom Barr’s portraits in the book, Shetland Oo.
Sheep have always had their place in Wool Week and this year a very jolly time was had at Gremista farm, meeting Shetland sheep, eating Shetland lamb and learning about what constitutes a good fleece.
Also on the theme of sheep, I confess I shed a tear at the magnificently sheepy exhibit displayed in the Shetland Museum and fittingly titled Ode to Sheep. Maja Siska’s woven, felted, embroidered works are an evocative meditation on the character and beauty of the Icelandic sheep with which she is surrounded in her home in Iceland. Again, it is just like Shetland Wool Week to programme a thoughtful, soulful, deeply sheepy exhibition to coincide with Wool Week; a reminder to all of us in attendance of the magical creatures on which our work is ultimately based.
In conclusion, what a wonderful week full of local and International woolly talent; world famous Shetland hospitality; ten million amazing Bousta Beanie hats; a tide of enthusiasm; an inclusive programme; and a celebration of wool that draws on the past but that is always looking forward to the future. Such an honour to be able to come and teach at this event, and so wonderful to be able to share wool on this level with so many buddies.
Thanks to everyone I met in Shetland… you too helped make Shetland Wool Week 2017 rich and memorable. I’ll say more about my classes in another post but, for now, YOURS IN MAXIMUM SHETLAND WOOL WEEK APPRECIATION, XF
Firstly, for my Reading buddies: a date for your diary!
At 20:00 on Saturday 4th November 2017, Doris Allimadi will perform her monologue on depression at South Street Arts Centre:
#damnthestigma is a monologue showing a journey through depression, a blend of personal accounts with fiction. The monologue also explores the general public’s perception on the topic and stigma attached to depression, suicide and mental health in general.
You can buy tickets here and I am going because I found Doris’s book – Lost, my battle with depression – comforting, honest and relatable. I love the life-affirming mantra that she repeats throughout like a kind and wise reminder – “self-love, self-respect and self-belief” – and her brave and candid discussion of mental health. She also gives context for the specific ways in which mental health affects women of colour which is a focus, too, for the magnificent gal-dem blog and a specific area of mental health that requires greater understanding.
I discovered Doris and her book through our mutual interest in addressing Reading’s appalling homelessness problem. This year I have been increasingly concerned about the rise of homelessness in my town. Austerity cuts to the local council’s budget have directly affected provisions for homeless people here and you can see the consequences everywhere. There are many people in need and clearly suffering on these streets. In a place as affluent as Berkshire this seems just plain wrong and earlier this year I started looking for ways to help directly. Searching for solutions I found this article about Doris making up food parcels to distribute to homeless people here.
I’ll say more about homelessness and what I’m doing about it in a later post but for now, and because of today’s blog focus, let’s just say that Doris is a bit of a local hero of mine and I’m really looking forward to hearing what she has to say on November 4th.
When I read about Mindapples I got quite excited, it is a social enterprise that takes a â€œ5-a-day for your mindâ€ approach. It encourages people to write down 5 mood boosting things, mindapples, that they do every day to look after their mental wellbeing. Iâ€™m not sure whether we need a separate organization to do this but itâ€™s an interesting approach… I reckon that my mind doesnâ€™t get as many treats or as much TLC as it should. There are definitely things that make me feel more cheerful or happy: sleep, making dinner at home, going for a walk on a lunch break, spending time outdoors, volunteering, contact with animals, hugging people, quality time with my family or girls, waking before my alarm clock, natural light (lots of it), yoga, making things. But its harder when you think about what you do every day or regularly.
For most of 2017, I have maintained a wellness habit-tracker in my bullet journal. It’s a simple list of stuff I try to do every day to look after myself and includes stuff like “stay hydrated” “take vitamins” etc. but my favourite thing – my juiciest and tastiest daily mindapple, if you will, is “lap of the park”.
I love my park so, so much. We used not to go very often as we only knew of one very noisy and circuitous route. However I recently discovered a sneaky shortcut through a housing estate which means that I can be there inside of ten minutes. It is a place of joy.
Bordered on most sides by luscious tall trees, the park also has a wide open football pitch that is the site for many joyous games. There are also a well-used playground area and basketball court, and benches and outdoor gym apparatus are spaced along the path that runs around the edges. Best of all, the vast grassy area in the middle creates a magnificent sense of space in which to think.
I love the feeling of being alone but also surrounded by my community when I go to my park. A glorious array of dogs are walked here every day and often they are very keen to come up and say their waggy hellos; bats zigzag in the sky at dusk through the summer months; and just now the squirrels of the park are highly active and possessive of their nuts. There is always a lot of activity… many different communities use the green and the courts for games; young people power walk in pairs with pedometers or use the exercise machines stationed around the park; teenagers cluster on benches round stereos; and people walk together, often talking or sometimes walk alone, talking on their phones. But it never feels too noisy, those great big leaves and all that sky just cradle us all together in space and there’s room for all of it with plenty of peace left over besides.
I’ve been stopped before to discuss the politics of the day (the run up to the election was super for park bench discussions) and sometimes I say hello to strangers when our eyes meet under the trees. But sometimes I feel shy and introverted and just want to keep myself to myself. Somehow in the forgiving arms of this beautiful space, however you feel is allowed.
So although I have deadlines to meet, a lot to get done, and frankly the worst bill of health I’ve had in years, I’m keen to make sure I get my favourite mindapple every day this Winter… my “lap of the park”. As Doris might say, it’s part of a practice of “self-love, self-respect and self-belief”. And at least one fellow park user agrees with that idea and its association with our precious, shared green space.
I hope you are getting all your mindapples and that wherever you are in the world, you have a place like my park to go to when you need it. Yours in Mental Health and glorious, kindly trees, FX
Following my earlier post, I wanted to let you know that if you are going to Shetland for Wool Week and are free on the afternoon of Friday 29th September, you can see some of the projects and swatches from the KNITSONIK Stranded Colourwork Playbook in person and talk to me about the book.
KNITSONIK Trunk Show 29 September, 14:30â€“16:30 Jamieson & Smith Shetland Wool Brokers 90 North Road, ZE1 0PQ Lerwick
I am really excited to be able to show you the projects in person and in their spiritual home! Everything in the Stranded Colourwork Playbook has been worked in Jamieson & Smith’s signature 2-ply Jumper Weight Yarn. Shetland Wool Week is the birthplace of the KNITSONIK System so it feels awesome to be able to unveil this new project there, too.
Looking forward to it, and really hope you can join me! YOURS IN ALL THE KNITS, XF
It’s been hard keeping a lid on this and going for so many months with NO KNITTING here on the blog but now I’m ready to start telling you all about my second book: the KNITSONIK Stranded Colourwork Playbook and I have the sense that now I’ve started, I won’t be able to stop! My amazingly talented brother Fergus Ford was here last week taking pictures. Here I am, peeping over some of the Playbook projects and swatches…
…and doing the obligatory over-excited FLIXFACE…
1. What is this book about?
The KNITSONIK Stranded Colourwork Playbook builds on concepts from the KNITSONIK Stranded Colourwork Sourcebook. It contains five in-depth creative stranded colourwork projects for you to take forward in your own individual way. Each Playbook project addresses issues that have arisen in the KNITSONIK workshops I have taught since publishing the KNITSONIK Stranded Colourwork Sourcebook, and each project is offered with a wealth of support information (extra/alternative charts and colourways; inspirational photographs and other design aids to be announced more fully in coming weeks). There are projects here to help with motif proportions; with developing your own site-specific knitting from a simple starting point; with making swatching more enjoyable and sociable; with customising patterns to your own unique palette and personal style; and with developing stranded colourwork as a collective project with your friends and knitting groups. The book contains a great many pictures, charts and colourways and is a feast for the eyes throughout.
2. When is the book coming out?!
Current estimated publication time is Winter 2017 but to be first in line for regular updates and pre-ordering information please sign up to the dedicated mailing list here.
The Playbook was made with many comrades and features the words and knitting of my friends Deborah, Judith, Liz, Mel, Muriel, Tom and Yumi. I shall be hard at work on it for the coming weeks and cannot wait to share it with you!